1 00:00:02,544 --> 00:00:05,172 Man: SERIAL KILLER JOE CARROLL HAS ESCAPED FROM PRISON. 2 00:00:05,172 --> 00:00:07,508 WE NEED HELP NOW! 3 00:00:07,508 --> 00:00:08,592 FBI Director Franklin: RYAN, I KNOW THINGS DIDN'T END WELL WITH THE BUREAU, 4 00:00:08,592 --> 00:00:09,551 BUT YOU CAUGHT CARROLL. 5 00:00:09,551 --> 00:00:10,928 NO ONE KNOWS HIM LIKE YOU DO. 6 00:00:10,928 --> 00:00:12,304 I'M NOT AN AGENT ANYMORE. 7 00:00:12,304 --> 00:00:13,973 HE CUT OUT HIS VICTIMS' EYES AS A NOD 8 00:00:13,973 --> 00:00:15,390 TO HIS FAVORITE WORKS OF POE. 9 00:00:15,390 --> 00:00:17,392 HE DIDN'T JUST EVISCERATE 14 FEMALE STUDENTS. 10 00:00:17,392 --> 00:00:18,686 HE WAS MAKING ART. 11 00:00:18,686 --> 00:00:19,979 Woman: SARAH WAS HIS UNFINISHED WORK. 12 00:00:19,979 --> 00:00:21,522 HE WANTED TO GET THE ENDING RIGHT. 13 00:00:21,522 --> 00:00:24,399 Carroll: THE POINT OF SARAH'S DEATH WAS FOR YOU. 14 00:00:24,399 --> 00:00:25,860 Ryan: HE'S FINDING PEOPLE. 15 00:00:25,860 --> 00:00:28,487 THEY'RE HIS FOLLOWERS. 16 00:00:28,487 --> 00:00:30,489 HOW DO THEY FIGURE INTO YOUR NEW PLOT? 17 00:00:30,489 --> 00:00:31,782 WE KNOWN ABOUT THE CULT. 18 00:00:31,782 --> 00:00:33,575 I LIKE TO THINK OF THEM AS MY FRIENDS. 19 00:00:33,575 --> 00:00:34,952 SO WHAT'S MY SEQUEL ABOUT, JOE? 20 00:00:34,952 --> 00:00:36,286 WE'RE GONNA WRITE THIS TOGETHER, RYAN, 21 00:00:36,286 --> 00:00:38,455 EVEN THOUGH YOU SLEPT WITH MY WIFE. 22 00:00:38,455 --> 00:00:39,790 DID SHE SHOW YOU THE LETTER? 23 00:00:39,790 --> 00:00:41,166 HOW DOES HE KNOW? HE DOESN'T. 24 00:00:41,166 --> 00:00:42,334 NO ONE NEED TO KNOW ABOUT THIS. 25 00:00:42,334 --> 00:00:44,670 Boy: MOM, WHAT'S GOING ON? YEAH. 26 00:00:44,670 --> 00:00:46,087 IT'S DAD, ISN'T IT? 27 00:00:46,087 --> 00:00:47,965 I DIDN'T KNOW WHAT TO SAY. OH, HONEY. 28 00:00:47,965 --> 00:00:49,216 Ryan: IF THIS BOOK ENDS WITH ANYTHING OTHER THAN YOUR DEATH, 29 00:00:49,216 --> 00:00:50,759 YOU BETTER PLAN ON A REWRITE. 30 00:00:50,759 --> 00:00:52,260 AAH! AAH! 31 00:00:52,260 --> 00:00:53,387 JOEY? WHERE IS HE? 32 00:00:53,387 --> 00:00:55,263 JOEY! JOEY, HONEY, WHERE ARE YOU? 33 00:00:55,263 --> 00:00:58,433 WHERE'S DENISE? WHERE'S MY SON?! 34 00:00:58,433 --> 00:01:01,353 SORRY. DIDN'T MEAN TO SCARE YOU. 35 00:01:01,353 --> 00:01:02,521 IS EVERYTHING OK? 36 00:01:02,521 --> 00:01:03,981 EXTRA PATROL THIS EVENING. 37 00:01:03,981 --> 00:01:06,191 I THOUGHT THEY CAUGHT HIM. 38 00:01:06,191 --> 00:01:07,401 STILL, MIND IF I LOOK AROUND, 39 00:01:07,401 --> 00:01:08,527 CHECK YOUR DOORS AND WINDOWS? 40 00:01:08,527 --> 00:01:09,444 SURE. 41 00:01:11,655 --> 00:01:13,198 COME ON IN. 42 00:01:13,198 --> 00:01:14,867 I THINK EVERYONE'S ASLEEP. 43 00:01:17,494 --> 00:01:19,204 WHY DON'T WE START UPSTAIRS? 44 00:01:24,543 --> 00:01:26,127 DO YOU WANT ME TO WAKE EVERYONE? 45 00:01:26,127 --> 00:01:27,922 NO. WE DON'T WANT TO DO THAT. 46 00:01:27,922 --> 00:01:30,382 LET'S START WITH THE ROOM ON THE END. 47 00:01:30,382 --> 00:01:31,508 OK. 48 00:01:38,724 --> 00:01:41,142 THIS IS JESSE'S ROOM. SHE'S OUT. 49 00:01:41,142 --> 00:01:46,440 YES. JESSE'S ROOM. I KNOW. 50 00:01:46,440 --> 00:01:48,233 I'VE STUDIED THIS HOUSE A LOT. 51 00:01:59,787 --> 00:02:02,247 WHAT IS THAT? 52 00:02:02,247 --> 00:02:05,292 I THREW THIS UP HERE EARLIER. 53 00:02:05,292 --> 00:02:07,419 IT'S MY KIT. 54 00:02:07,419 --> 00:02:10,380 IT'S IMPORTANT TO HAVE THE RIGHT TOOLS. 55 00:02:13,675 --> 00:02:16,386 I'VE BEEN PLANNING THIS FOR A LONG TIME. 56 00:02:22,476 --> 00:02:24,853 Turner: CONVICTED SERIAL KILLER JOE CARROLL 57 00:02:24,853 --> 00:02:26,688 HAS BEEN CAPTURED AND IS BEING HELD 58 00:02:26,688 --> 00:02:28,649 AT THE RICHMOND FEDERAL DETENTION CENTER. 59 00:02:28,649 --> 00:02:31,485 AS OF EARLY THIS MORNING, CAROL'S SON JOEY MATTHEWS 60 00:02:31,485 --> 00:02:34,696 AND HIS NANNY DENISE HARRIS HAVE BEEN MISSING. 61 00:02:34,696 --> 00:02:36,073 AN AMBER ALERT IS IN EFFECT, 62 00:02:36,073 --> 00:02:39,200 AND WE ASK THAT ANYONE WITH ANY INFORMATION 63 00:02:39,200 --> 00:02:42,162 AS TO THEIR WHEREABOUTS PLEASE CONTACT THE FBI. 64 00:02:42,162 --> 00:02:44,498 WHAT'S GOING ON, RYAN? WHERE IS MY SON? 65 00:02:44,498 --> 00:02:46,333 WE NEED TO TALK. 66 00:02:46,333 --> 00:02:47,793 WHY IS JOE DOING THIS? 67 00:02:47,793 --> 00:02:48,919 I DON'T UNDERSTAND HOW DENISE IS INVOLVED. 68 00:02:48,919 --> 00:02:51,463 ARE THEY GONNA HURT JOEY? 69 00:02:51,463 --> 00:02:53,674 I THINK SHE'S YOUR NANNY BECAUSE OF JOEY. 70 00:02:53,674 --> 00:02:54,842 I THINK HE PUT HER HERE-- 71 00:02:54,842 --> 00:02:56,677 NO. THAT'S IMPOSSIBLE. 72 00:02:56,677 --> 00:02:58,012 SHE'S BEEN JOEY'S NANNY FOR TWO YEARS. 73 00:02:58,012 --> 00:03:00,472 SHE LIVES WITH ME, I KNOW HER. 74 00:03:00,472 --> 00:03:03,017 THE ACCOMPLICES, THE GUYS THAT HELPED HIM KILL SARAH FULLER, 75 00:03:03,017 --> 00:03:04,935 THEY WERE THERE FOR YEARS, 76 00:03:04,935 --> 00:03:06,103 USING FALSE IDENTITIES. 77 00:03:06,103 --> 00:03:07,354 WE THINK THAT SHE DID, TOO. 78 00:03:07,354 --> 00:03:09,523 I DID A BACKGROUND CHECK, 79 00:03:09,523 --> 00:03:11,358 I CHECKED HER REFERENCES, I HAVE RECORDS. 80 00:03:11,358 --> 00:03:12,526 CAN I SEE THEM? 81 00:03:12,526 --> 00:03:13,443 YEAH. 82 00:03:18,615 --> 00:03:20,993 Weston: HEAVY TRACES OF ZOLPIDEM ON THE KITCHEN COUNTER. 83 00:03:20,993 --> 00:03:21,952 SHE DRUGGED THE GUARDS. 84 00:03:21,952 --> 00:03:23,704 I BET THE KID, TOO. 85 00:03:23,704 --> 00:03:24,997 CARRIED HIM DOWN THE BACK STAIRCASE TO THE GARAGE. 86 00:03:24,997 --> 00:03:26,498 CAR WAS FOUND 10 MINUTES AGO 87 00:03:26,498 --> 00:03:28,333 IN A PARKING LOT 45 MINUTES FROM HERE. 88 00:03:34,464 --> 00:03:36,215 DENISE HARRIS FROM ALEXANDRIA. 89 00:03:36,215 --> 00:03:39,094 HER ADDRESS, HER REFERENCES, IT'S ALL THERE. 90 00:03:39,094 --> 00:03:40,721 SHE TALKED ABOUT HER MOM A LOT. 91 00:03:40,721 --> 00:03:41,930 I GUESS THEY WERE CLOSE. 92 00:03:41,930 --> 00:03:43,348 NO DAD IN THE PICTURE. 93 00:03:43,348 --> 00:03:44,725 YOU EVER MEET ANY OF HER FRIENDS 94 00:03:44,725 --> 00:03:46,018 OR OVERHEAR A PHONE CONVERSATION? 95 00:03:46,018 --> 00:03:47,728 HER FRIENDS NEVER CAME OVER. SHE WAS SHY, 96 00:03:47,728 --> 00:03:49,813 SHE KEPT TO HERSELF. 97 00:03:49,813 --> 00:03:54,526 SHE READ IN HER ROOM A LOT. 98 00:03:54,526 --> 00:03:56,570 I CAN'T BE THIS BLIND, CAN I? 99 00:03:56,570 --> 00:04:00,866 YOU CANNOT AFFORD TO THINK LIKE THAT, DO YOU UNDERSTAND? 100 00:04:00,866 --> 00:04:02,409 FIND MY SON. 101 00:04:14,671 --> 00:04:16,924 HEY! YOU CAN'T RUN FROM ME! 102 00:04:20,510 --> 00:04:23,847 HA HA HA! WHEE! 103 00:04:23,847 --> 00:04:26,474 ERR! 104 00:04:26,474 --> 00:04:28,060 I GOT YOU! 105 00:04:30,020 --> 00:04:31,479 LOOK AT THIS PLACE. 106 00:04:38,153 --> 00:04:40,614 WOW! 107 00:04:40,614 --> 00:04:41,656 WHOSE HOUSE IS THIS? 108 00:04:41,656 --> 00:04:42,824 FRIEND OF A FRIEND. 109 00:04:42,824 --> 00:04:44,367 AND IT'S OK THAT WE'RE HERE? 110 00:04:44,367 --> 00:04:47,037 YEAH. COME ON! LET'S CHECK IT OUT! 111 00:04:49,414 --> 00:04:51,041 CAN I CALL MY MOM NOW? 112 00:04:51,041 --> 00:04:55,003 HONEY, I TOLD YOU. 113 00:04:55,003 --> 00:04:57,047 YOUR MOM TOLD US NOT TO CALL. 114 00:04:57,047 --> 00:05:00,008 SHE DOESN'T WANT ANYONE TO KNOW WHERE WE ARE. 115 00:05:00,008 --> 00:05:01,593 YOU REMEMBER WHAT I SAID? 116 00:05:01,593 --> 00:05:02,803 WE'RE ON AN ADVENTURE! 117 00:05:02,803 --> 00:05:05,513 MM-HMM. COME HERE. 118 00:05:07,933 --> 00:05:09,101 WHAT'S WRONG WITH YOU? 119 00:05:09,101 --> 00:05:10,560 I HATE KIDS. STOP IT. 120 00:05:10,560 --> 00:05:11,895 I DO. I HATE TALKING TO THEM, 121 00:05:11,895 --> 00:05:13,063 I HATE LOOKING AT THEM. 122 00:05:13,063 --> 00:05:15,107 HEY. NOT THIS KID, OK? 123 00:05:15,107 --> 00:05:17,025 YOU LIKE THIS KID. 124 00:05:17,025 --> 00:05:19,444 JUST KEEP SAYING IT OVER AND OVER AGAIN UNTIL IT STICKS. 125 00:05:19,444 --> 00:05:23,573 I'D RATHER SNAP HIS NECK. 126 00:05:23,573 --> 00:05:24,950 I'M KIDDING. 127 00:05:30,038 --> 00:05:31,206 IS THERE A PROBLEM? 128 00:05:31,206 --> 00:05:32,582 NOPE. NO. NOT HERE. 129 00:05:32,582 --> 00:05:34,417 WE'RE ON AN ADVENTURE WITH A KID, 130 00:05:34,417 --> 00:05:37,587 AND I LIKE KIDS, ESPECIALLY THIS KID. 131 00:05:43,593 --> 00:05:45,679 WHAT WAS THAT ABOUT? 132 00:05:45,679 --> 00:05:49,474 IT'S BEEN A LONG NIGHT, HE'S TIRED. 133 00:05:57,607 --> 00:05:59,526 IT'S GOOD TO HAVE YOU BACK. 134 00:06:01,945 --> 00:06:04,072 Man on TV: MORE DEVELOPMENTS FROM RICHMOND, VIRGINIA, 135 00:06:04,072 --> 00:06:06,033 UPON SARAH FULLER'S DEATH AS THE SEARCH 136 00:06:06,033 --> 00:06:08,160 FOR YOUNG JOEY MATTHEWS CONTINUES. 137 00:06:08,160 --> 00:06:10,245 CONVICTED SERIAL KILLER JOE CARROLL'S SON 138 00:06:10,245 --> 00:06:11,830 IS BELIEVED TO HAVE BEEN ABDUCTED... 139 00:06:11,830 --> 00:06:14,373 OK. THE TEAM OVER THERE'S COVERING THE GROUND SEARCH, 140 00:06:14,373 --> 00:06:15,834 THAT GROUP IS ON OUR PRISON GUARD JORDY, 141 00:06:15,834 --> 00:06:17,752 AND WE'VE GOT JOEY'S SEARCH RIGHT HERE. 142 00:06:17,752 --> 00:06:20,088 RYAN HARDY, THIS IS AGENT MITCHELL, CYBERFORENSICS. 143 00:06:20,088 --> 00:06:22,174 SHE'S FROM OUR D.C. OFFICE. SHE'S AWESOME. 144 00:06:22,174 --> 00:06:23,258 NICE TO MEET YOU, SIR. 145 00:06:23,258 --> 00:06:24,676 WHERE ARE WE ARE ON THE NANNY? 146 00:06:24,676 --> 00:06:26,053 I KNOW DENISE HARRIS IS NOT FROM ALEXANDRIA 147 00:06:26,053 --> 00:06:28,847 BECAUSE DENISE HARRIS DOES NOT EXIST. 148 00:06:28,847 --> 00:06:31,016 BUT WE I.D.ed SARAH FULLER'S GAY OR NOT-SO-GAY NEIGHBORS. 149 00:06:31,016 --> 00:06:33,643 REAL NAMES ARE JACOB WELLS AND PAUL TORRES. 150 00:06:33,643 --> 00:06:34,978 JACOB IS FROM LAKE WHITEHURST, 151 00:06:34,978 --> 00:06:36,938 PAUL IS FORM EL PASO, TEXAS. 152 00:06:36,938 --> 00:06:38,481 WHERE HE'S A COMPUTER CONSULTANT WITH A HISTORY OF FRAUD, 153 00:06:38,481 --> 00:06:40,025 WHICH EXPLAINS ALL THE FAKE I.D.s. 154 00:06:40,025 --> 00:06:41,235 WHERE'S AGENT MASON? 155 00:06:49,326 --> 00:06:52,079 Turner: I'D JUST GET RID OF HIM, SEND HIM HOME. 156 00:06:52,079 --> 00:06:53,747 Riley: YOU CAN'T. YOU HEARD CARROLL. HE'S PART OF THE STORY. 157 00:06:53,747 --> 00:06:55,165 THEN SIDELINE HIM BEFORE HE CRACKS 158 00:06:55,165 --> 00:06:57,042 BECAUSE HE WILL CRACK. 159 00:06:57,042 --> 00:06:59,502 YOU WEREN'T AROUND 10 YEARS AGO. I LIVED...IT. 160 00:07:03,131 --> 00:07:06,927 WELL, THIS IS AWKWARD. 161 00:07:06,927 --> 00:07:08,095 HELLO, MR. HARDY. 162 00:07:08,095 --> 00:07:09,054 I'M AGENT DEBRA PARKER. 163 00:07:09,054 --> 00:07:10,638 I'M NEW THE PARTY. 164 00:07:10,638 --> 00:07:14,059 WE WERE JUST, UH, DISCUSSING YOU. 165 00:07:14,059 --> 00:07:16,770 AGENT PARKER'S IN FROM QUANTICO. SHE'S TAKING THE LEAD. 166 00:07:16,770 --> 00:07:17,938 I WANT TO SPEAK TO MR. HARDY PRIVATELY. 167 00:07:17,938 --> 00:07:19,189 WHERE'S MASON? 168 00:07:19,189 --> 00:07:20,690 SHE'S ON HER WAY BACK TO QUANTICO. 169 00:07:20,690 --> 00:07:22,859 APPARENTLY SHE PUT A FORMER AGENT ALONE 170 00:07:22,859 --> 00:07:24,236 IN A ROOM WITH JOE CARROLL 171 00:07:24,236 --> 00:07:26,321 AND LET HIM BREAK 3 OF HIS FINGERS. 172 00:07:26,321 --> 00:07:27,948 TURNS OUT THAT'S A NO-NO. 173 00:07:27,948 --> 00:07:29,783 3, HUH? 174 00:07:29,783 --> 00:07:32,994 MARSHAL TURNER THINKS I SHOULD DISMISS YOU, 175 00:07:32,994 --> 00:07:34,246 NOT THE MAN YOU ARE NOW. 176 00:07:34,246 --> 00:07:35,580 AND THERE'S A DIFFERENCE? 177 00:07:35,580 --> 00:07:37,832 I HOPE SO BECAUSE JOE CARROLL 178 00:07:37,832 --> 00:07:39,751 HAS CAST YOU AS THE MAIN CHARACTER IN HIS PSYCHO SEQUEL, 179 00:07:39,751 --> 00:07:41,669 SO I CAN'T JUST KICK YOU TO THE CURB. 180 00:07:44,423 --> 00:07:47,675 I'M SORRY ABOUT SARAH FULLER. 181 00:07:47,675 --> 00:07:49,386 I WANT A GUN. 182 00:07:49,386 --> 00:07:51,054 I'M NOT ASKING TO BE AN AGENT AGAIN, 183 00:07:51,054 --> 00:07:53,140 BUT YOU NEED TO DEPUTIZE ME AND GIVE ME A GUN. 184 00:07:53,140 --> 00:07:55,225 WHEN WAS THE LAST TIME YOU HAD A DRINK? 185 00:07:55,225 --> 00:07:57,394 DIRECTOR FRANKLIN ASKED ME TO BE HERE, 186 00:07:57,394 --> 00:07:59,438 AND IF I'M GONNA STAY, I WANT A GUN. 187 00:07:59,438 --> 00:08:02,816 I'LL TAKE IT UNDER ADVISEMENT. 188 00:08:02,816 --> 00:08:04,109 FROM, UH, CARDIOMYOPATHY. 189 00:08:04,109 --> 00:08:05,944 IS THIS REALLY THE BEST USE OF OUR TIME? 190 00:08:05,944 --> 00:08:07,195 THERE'S A CHILD MISSING. 191 00:08:07,195 --> 00:08:08,529 SO TELL ME ABOUT CARROLL'S ACCOMPLICES. 192 00:08:12,533 --> 00:08:15,454 HE USED THIS PRISON GUARD TO GAIN ACCESS TO THE INTERNET 193 00:08:15,454 --> 00:08:17,914 TO CREATE A FOLLOWING, LIKE A CULT. 194 00:08:17,914 --> 00:08:20,083 LET'S NOT USE THAT WORD. PEOPLE DON'T HEAR IT WELL. 195 00:08:20,083 --> 00:08:21,460 WELL, YOU CAN CALL IT WHAT YOU WANT, 196 00:08:21,460 --> 00:08:22,836 BUT HE SOLICITED PEOPLE TO DO HIS BIDDING. 197 00:08:22,836 --> 00:08:24,712 CARROLL MENTIONED A LETTER. 198 00:08:30,510 --> 00:08:34,181 CLAIRE MATTHEWS RECEIVED A LETTER ABOUT A WEEK BEFORE CARROLL'S ESCAPE. 199 00:08:34,181 --> 00:08:37,516 IT WAS PERSONAL. 200 00:08:37,516 --> 00:08:39,227 HE QUESTIONED MY RELATIONSHIP WITH HER. 201 00:08:39,227 --> 00:08:42,981 AS DID THE FBI 8 YEARS AGO. 202 00:08:42,981 --> 00:08:46,943 SO NOW YOU'RE UP TO SPEED. 203 00:08:46,943 --> 00:08:48,278 WE GOT MORE BODIES. 204 00:08:50,864 --> 00:08:53,241 BLOOD SMEAR. JORDY WAS MESSY. 205 00:08:53,241 --> 00:08:55,035 LEFT PRINTS EVERYWHERE. 206 00:08:55,035 --> 00:08:56,995 MADE NO ATTEMPT TO CONCEAL HIS IDENTITY. 207 00:08:56,995 --> 00:09:00,915 VICTIM NUMBER 3-- SHE TRIED TO RUN, QUICK STRUGGLE. 208 00:09:00,915 --> 00:09:02,709 NOT THE CASE FOR THE OTHERS. 209 00:09:08,882 --> 00:09:10,425 Turner: THERE WERE 9 GIRLS IN THE HOUSE AT THE TIME. 210 00:09:10,425 --> 00:09:12,052 SOME OF THEM WOKE UP WHEN THEY HEARD THE SCREAMS, 211 00:09:12,052 --> 00:09:14,179 AND JORDY RAN. 212 00:09:14,179 --> 00:09:16,597 HE REMOVED THE EYES-- CARROLL'S SIGNATURE. 213 00:09:16,597 --> 00:09:18,308 Riley: IS JORDY PLAYING AT POE'S GREATEST HITS? 214 00:09:18,308 --> 00:09:19,809 IT'S PAYING HOMAGE TO CARROLL. 215 00:09:19,809 --> 00:09:21,728 IT'S FOLLOWING IN THE FOOTSTEPS OF HIS HERO, 216 00:09:21,728 --> 00:09:24,605 IT'S CEREMONIAL, THE WORK OF AN ACOLYTE. 217 00:09:24,605 --> 00:09:25,815 LET'S NOT USE THAT WORD EITHER. 218 00:09:25,815 --> 00:09:27,275 IT IMPLIES THE OTHER WORD. 219 00:09:27,275 --> 00:09:29,110 LET'S SAY, "CARROLL'S ACCOMPLICES." 220 00:09:29,110 --> 00:09:33,407 PICK A WORD, ANY WORD, BUT THIS IS MIND CONTROL AT WORK. 221 00:09:33,407 --> 00:09:34,615 WHY HAVE HIS SON KIDNAPPED? 222 00:09:34,615 --> 00:09:36,284 IT'S AN OFFERING, IT'S BIBLICAL. 223 00:09:36,284 --> 00:09:37,869 THEY THINK OF HIM AS THE SON OF GOD, 224 00:09:37,869 --> 00:09:40,288 SOMETHING TO BE WORSHIPED. 225 00:09:40,288 --> 00:09:42,707 OR SACRIFICED. 226 00:09:42,707 --> 00:09:44,084 CARROLL KNOWS WHERE THE KID IS. 227 00:09:44,084 --> 00:09:45,960 HE'S NOT GONNA TELL US. 228 00:09:45,960 --> 00:09:48,213 BUT HE MIGHT TELL HIS WIFE. 229 00:09:48,213 --> 00:09:50,257 CARROLL ASKED TO SEE HER. 230 00:09:50,257 --> 00:09:51,841 HE'S SMARTER THAN THAT. HE'S NOT GONNA TELL HER ANYTHING. 231 00:09:51,841 --> 00:09:53,760 WELL, LET'S FIND OUT. 232 00:09:57,847 --> 00:10:00,141 Claire, voice-over: WHAT DO I SAY? 233 00:10:00,141 --> 00:10:02,477 IS THERE ANYTHING SPECIAL I NEED TO ASK HIM? 234 00:10:02,477 --> 00:10:04,812 TRY TO ENGAGE HIM ABOUT JOEY, 235 00:10:04,812 --> 00:10:07,023 SPEAK TO HIS PATERNAL INSTINCTS. 236 00:10:07,023 --> 00:10:11,986 MAKE JOEY IMPORTANT TO HIM. 237 00:10:11,986 --> 00:10:13,821 ARE YOU SURE YOU WANT TO DO THIS? 238 00:10:33,925 --> 00:10:35,510 I LIKE YOUR NEW PLACE. 239 00:10:35,510 --> 00:10:37,304 ME, TOO. 240 00:10:37,304 --> 00:10:39,139 HOW WAS COURT TODAY? 241 00:10:39,139 --> 00:10:40,848 MOVING FAST. WON'T BE LONG NOW. 242 00:10:40,848 --> 00:10:44,102 I CAN'T GO ANYMORE. I CAN'T LOOK AT HIM. 243 00:10:44,102 --> 00:10:49,899 I DON'T EVER WANT TO SEE HIM AGAIN. 244 00:10:49,899 --> 00:10:51,443 YOU DON'T HAVE TO. 245 00:11:31,149 --> 00:11:33,734 MY HANDS ARE SHAKING. 246 00:11:33,734 --> 00:11:37,071 MY GOD. YOU STILL HAVE THAT EFFECT ON ME. 247 00:11:37,071 --> 00:11:38,365 YOU'RE SO BEAUTIFUL ALWAYS-- 248 00:11:38,365 --> 00:11:42,160 WHERE'S MY SON? 249 00:11:42,160 --> 00:11:43,828 OUR SON, CLAIRE. 250 00:11:43,828 --> 00:11:48,875 PLEASE, JOE. WHERE IS HE? 251 00:11:48,875 --> 00:11:52,420 DO YOU REMEMBER WHEN WE WENT TO ANTIGUA, 252 00:11:52,420 --> 00:11:56,090 WE RENTED THAT LITTLE COTTAGE ON THE BEACH? 253 00:11:56,090 --> 00:11:57,884 WE WERE ONLY SUPPOSED TO BE THERE FOR A FEW DAYS, 254 00:11:57,884 --> 00:11:59,427 BUT IT TURNED INTO A WHOLE MONTH. 255 00:11:59,427 --> 00:12:01,638 I DON'T THINK WE WORE CLOTHES THE ENTIRE TIME. 256 00:12:01,638 --> 00:12:05,058 HE'S GROWING UP SO FAST--JOEY IS. 257 00:12:05,058 --> 00:12:08,019 HE'S SO BRILLIANT, READING WELL BEYOND HIS YEARS-- 258 00:12:08,019 --> 00:12:09,437 MELVILLE AND TWAIN. 259 00:12:09,437 --> 00:12:10,980 HE FINISHED "ROBINSON CRUSOE" LAST WEEK, 260 00:12:10,980 --> 00:12:12,065 BUT HE DIDN'T LIKE IT VERY MUCH. 261 00:12:12,065 --> 00:12:14,901 IT MUST BE SO HARD FOR YOU. 262 00:12:14,901 --> 00:12:19,072 YOU MUST FEEL SO BETRAYED. 263 00:12:19,072 --> 00:12:22,450 AGAIN. 264 00:12:22,450 --> 00:12:24,952 COME ON, CLAIRE. HANG IN THERE. 265 00:12:29,249 --> 00:12:31,501 SO YOU... GOT MY LETTER. 266 00:12:31,501 --> 00:12:34,921 IS HE IN DANGER, JOE? 267 00:12:34,921 --> 00:12:36,214 PLEASE JUST LET HIM BE, OK, OK? 268 00:12:36,214 --> 00:12:37,632 PLEASE DON'T LET HIM BE HURT. 269 00:12:37,632 --> 00:12:39,300 I'D LIKE SOME ANSWERS TO MY QUESTIONS. 270 00:12:47,058 --> 00:12:48,476 TELL ME WHERE JOEY IS FIRST. 271 00:12:48,476 --> 00:12:51,688 I ASKED YOU SOME VERY SPECIFIC QUESTIONS. 272 00:12:51,688 --> 00:12:53,189 I'D LIKE YOU TO ANSWER THEM. 273 00:12:53,189 --> 00:12:58,819 YES. "YES," YOU WHAT? 274 00:12:58,819 --> 00:13:02,490 RYAN AND I HAD AN AFFAIR FOR ALMOST TWO MONTHS. 275 00:13:06,035 --> 00:13:07,495 AFTER THE TRIAL? 276 00:13:07,495 --> 00:13:08,413 AND THE DIVORCE. 277 00:13:08,413 --> 00:13:10,624 OH, YES. OF COURSE. 278 00:13:10,624 --> 00:13:12,542 YOU WAITED FOR THE DIVORCE. 279 00:13:12,542 --> 00:13:16,963 NOBLE CLAIRE. ONLY A PROPER LITTLE DIDDLE WILL DO. 280 00:13:16,963 --> 00:13:20,467 WAS IT GOOD, THE SEX? 281 00:13:20,467 --> 00:13:26,514 DID YOU BODY QUIVER TO HIS EVERY TOUCH? 282 00:13:26,514 --> 00:13:29,183 YES. 283 00:13:29,183 --> 00:13:30,310 IT DID. 284 00:13:30,310 --> 00:13:31,686 WE GOT TO GET HER OUT OF THERE. 285 00:13:31,686 --> 00:13:34,063 NOT YET. 286 00:13:34,063 --> 00:13:35,523 Carroll: AND THE LAST QUESTION? 287 00:13:35,523 --> 00:13:36,733 I DON'T KNOW. OH, YOU KNOW THE QUESTION. 288 00:13:36,733 --> 00:13:41,154 I DON'T KNOW IS MY ANSWER. 289 00:13:41,154 --> 00:13:42,947 HOW COULD I LOVE ANYONE AFTER YOU? 290 00:13:42,947 --> 00:13:45,366 YOU DESTROYED ME. YOU SON OF A BITCH! 291 00:13:45,366 --> 00:13:48,536 WHERE'S MY SON? WHERE IS JOEY, YOU BASTARD? 292 00:13:48,536 --> 00:13:50,997 WHERE IS--OHH! AAH! 293 00:13:50,997 --> 00:13:52,165 WE NEED TO GET IN THERE. DAMN IT! 294 00:13:52,165 --> 00:13:54,334 I WILL ALWAYS LOVE YOU. 295 00:13:56,670 --> 00:13:58,379 NO! OFF! 296 00:14:14,437 --> 00:14:15,438 YOU OK? 297 00:14:15,438 --> 00:14:17,440 YES. 298 00:14:17,440 --> 00:14:19,567 I'M SORRY ABOUT WHAT I SAID IN THERE. 299 00:14:19,567 --> 00:14:22,487 DON'T BE. GOT A CAR WAITING TO TAKE-- 300 00:14:22,487 --> 00:14:25,365 IS THERE ANY NEWS ON JOEY? 301 00:14:25,365 --> 00:14:28,993 AS SOON AS I KNOW ANYTHING, I PROMISE-- 302 00:14:28,993 --> 00:14:30,453 WE'RE GONNA FIND HIM, CLAIRE. 303 00:14:38,628 --> 00:14:40,505 WHICH ROOM DO I GET? 304 00:14:40,505 --> 00:14:42,215 I DON'T KNOW. LET'S SEE. 305 00:14:45,092 --> 00:14:47,928 WHOA! IT'S JUST LIKE MY ROOM AT HOME! 306 00:14:47,928 --> 00:14:50,473 MY NINJA WARRIOR! 307 00:14:50,473 --> 00:14:51,683 AND IT'S BRAND-NEW! 308 00:14:51,683 --> 00:14:53,267 HOW COOL IS THAT? 309 00:14:53,267 --> 00:14:54,644 SUPERCOOL! 310 00:14:54,644 --> 00:14:56,437 CAN I CALL MOM NOW? 311 00:14:56,437 --> 00:15:00,274 HONEY, SHE ASKED US NOT TO CALL. 312 00:15:00,274 --> 00:15:01,901 WE HAVE TO WAIT. 313 00:15:01,901 --> 00:15:04,278 WHY IS MY DAD SUCH A BAD MAN? 314 00:15:06,489 --> 00:15:07,866 OH, HONEY. 315 00:15:10,451 --> 00:15:11,452 COME HERE. 316 00:15:15,749 --> 00:15:21,128 MAYBE HE'S NOT SO BAD. 317 00:15:21,128 --> 00:15:25,717 MAYBE WE JUST DON'T UNDERSTAND HIM. 318 00:15:25,717 --> 00:15:28,720 I'LL TELL YOU WHAT, WHY DON'T YOU GET SETTLED 319 00:15:28,720 --> 00:15:31,347 AND CHECK OUT ALL YOUR NEW THINGS? 320 00:15:34,975 --> 00:15:38,187 Carroll, voice-over: "GOOD AND BAD NO LONGER EXISTED. 321 00:15:38,187 --> 00:15:41,733 "IT WAS ALL DEGREES OF EVIL NOW. 322 00:15:41,733 --> 00:15:44,527 "GWENDOLYN HELD HIS DYING BODY 323 00:15:44,527 --> 00:15:48,072 "AS THE STORM RAGED ON. 324 00:15:48,072 --> 00:15:51,117 "DEATH HAD FINALLY ARRIVED, 325 00:15:51,117 --> 00:15:54,871 AND IT WAS GLORIOUS TO THE TOUCH." 326 00:16:01,502 --> 00:16:02,545 THANK YOU. 327 00:16:06,966 --> 00:16:09,594 THANK YOU FOR COMING, UH... 328 00:16:09,594 --> 00:16:12,806 EMMA. I LOVED YOUR BOOK. 329 00:16:12,806 --> 00:16:16,100 SO YOU'RE THE ONE, EMMA. 330 00:16:16,100 --> 00:16:19,604 IT'S BEAUTIFUL. ALL THE IMAGERY'S SO VIVID. 331 00:16:19,604 --> 00:16:22,022 I FELT LIKE I WAS THERE. 332 00:16:22,022 --> 00:16:26,319 OH. YOU JUST MADE MY DAY. 333 00:16:26,319 --> 00:16:28,404 UH, MAY I JUST, UH-- 334 00:16:32,408 --> 00:16:34,828 YOU HAVE SUCH LOVELY EYES, EMMA. 335 00:16:34,828 --> 00:16:36,663 DON'T DEPRIVE US OF THEM. 336 00:16:41,125 --> 00:16:43,169 DID SHE DIE-- GWENDOLYN--AT THE END 337 00:16:43,169 --> 00:16:46,046 WHEN SHE WENT INTO THE SEA AND STARTED SWIMMING TO THE HORIZON? 338 00:16:46,046 --> 00:16:48,633 WELL, YOU TELL ME. 339 00:16:48,633 --> 00:16:50,718 I THINK SHE DIED. 340 00:16:50,718 --> 00:16:56,432 SHE WAS SWIMMING TOWARD THE HORIZON, TOWARD THE SUN. 341 00:16:56,432 --> 00:17:00,269 IN DEATH, SHE FOUND HOPE. 342 00:17:00,269 --> 00:17:02,021 Woman: EMMA, HON. YOU ALMOST DONE? 343 00:17:02,021 --> 00:17:04,022 I'M READY, MOM--OH. 344 00:17:04,022 --> 00:17:06,693 SO THIS IS THE FELLA YOU CAME TO SEE. 345 00:17:06,693 --> 00:17:10,070 MY, MY. I THOUGHT ALL WRITERS WERE BIG-NOSED AND MUSHY. 346 00:17:10,070 --> 00:17:11,781 NOT YOU. MOM, PLEASE. LET'S GO. 347 00:17:11,781 --> 00:17:13,867 I'M GIVING THE MAN A COMPLIMENT. 348 00:17:13,867 --> 00:17:14,951 NO, SIR. YOU DO NOT LOOK LIKE 349 00:17:14,951 --> 00:17:16,034 A WRITER. 350 00:17:16,034 --> 00:17:17,954 DID HE SIGN YOUR BOOK? 351 00:17:17,954 --> 00:17:20,999 OH, YES. MUSTN'T FORGET THIS. 352 00:17:20,999 --> 00:17:28,464 "EMMA, HOPEFULLY YOURS, JOE." 353 00:17:33,761 --> 00:17:35,429 Paul: SO WHICH IS OUR ROOM? 354 00:17:43,437 --> 00:17:44,898 YOU MEAN, YOUR ROOM. 355 00:17:44,898 --> 00:17:47,483 JACOB AND I ARE TAKING THE MASTER. 356 00:17:47,483 --> 00:17:48,735 YOU CAN'T DO THAT. 357 00:17:48,735 --> 00:17:50,028 WELL, YOU'RE NOT GAY ANYMORE, REMEMBER? 358 00:17:50,028 --> 00:17:51,612 WE WERE NEVER GAY. 359 00:17:51,612 --> 00:17:55,366 IT'S JUST WITH THE KID, IS THAT COOL? 360 00:17:55,366 --> 00:17:56,910 DON'T WORRY ABOUT IT. 361 00:17:59,913 --> 00:18:01,789 Weston: I TRACKED HER THROUGH THE PRISON FOOTAGE. 362 00:18:01,789 --> 00:18:04,667 SHE USED SEVERAL ALIASES VERY SIMILAR TO THE GAY GUYS. 363 00:18:04,667 --> 00:18:07,086 3 YEARS AGO. 364 00:18:07,086 --> 00:18:08,796 THE GUY BESIDE HER. 365 00:18:08,796 --> 00:18:10,882 JACOB WELLS. YOU CONNECTED THEM. 366 00:18:10,882 --> 00:18:12,800 AND GET THIS. I DID A SEARCH FOR JACOB... 367 00:18:15,511 --> 00:18:17,055 PAUL TORRES. 368 00:18:17,055 --> 00:18:18,556 THEY SIGNED IN TOGETHER. 369 00:18:18,556 --> 00:18:20,099 YOU WERE RIGHT. THEY'RE ALL IN ON THIS. 370 00:18:20,099 --> 00:18:22,560 HEY. FIND THE FIRST TIME THE NANNY VISITED CARROLL. 371 00:18:22,560 --> 00:18:24,144 MAYBE SHE DIDN'T USE AN ALIAS. 372 00:18:27,023 --> 00:18:30,526 2004, SHE SIGNED IN AS EMMA HILL. 373 00:18:30,526 --> 00:18:33,487 OK. THERE'S AN EMMA HILL IN PETERSBURG, VIRGINIA. 374 00:18:33,487 --> 00:18:34,989 I HAVE AN ADDRESS. 375 00:18:34,989 --> 00:18:36,616 PETERSBURG IS TOO CLOSE. THEY'D NEVER RISK IT. 376 00:18:36,616 --> 00:18:39,035 UNLESS THEY'RE HIDING UNDER OUR NOSE. 377 00:18:39,035 --> 00:18:41,871 GO. TAKE WESTON. 378 00:18:41,871 --> 00:18:44,874 AND RYAN. 379 00:18:44,874 --> 00:18:47,001 CALL AHEAD. HAVE THE LOCAL AUTHORITIES MEET YOU THERE. 380 00:18:47,001 --> 00:18:48,086 OK. 381 00:18:57,011 --> 00:18:58,137 NOBODY'S HOME. 382 00:18:58,137 --> 00:18:59,973 THIS IS DEFINITELY THE PLACE. 383 00:18:59,973 --> 00:19:03,101 NEIGHBORS SAY THEY HAVEN'T SEEN ANYBODY IN A LONG TIME. 384 00:19:03,101 --> 00:19:05,937 OK. YOU CAN'T DO THAT. 385 00:19:05,937 --> 00:19:08,272 NOPE. YOU CAN'T DO THAT. 386 00:19:08,272 --> 00:19:09,440 I'M GONNA GO CHECK AROUND BACK, 387 00:19:09,440 --> 00:19:10,608 SEE IF I CAN SEE THROUGH THE WINDOW. 388 00:21:10,144 --> 00:21:12,312 YOU SHOULDN'T BE HERE. 389 00:21:12,312 --> 00:21:13,940 YOU KNOW, YOU'RE GONNA DIE. 390 00:21:13,940 --> 00:21:15,108 ONLY NOT TODAY. 391 00:21:15,108 --> 00:21:16,150 UNH! 392 00:21:22,990 --> 00:21:25,910 Weston: GOOD NEWS-- NO DEAD PUPPIES. 393 00:21:25,910 --> 00:21:28,162 BAD NEWS--I THINK IT'S TIME TO USE THAT WORD 394 00:21:28,162 --> 00:21:29,956 NOBODY WANTS TO USE. 395 00:21:29,956 --> 00:21:33,333 SO WE HAVE A CULT. 396 00:21:33,333 --> 00:21:35,002 YOU SURE THIS MAN WASN'T JORDY? 397 00:21:35,002 --> 00:21:37,546 HEIGHT, WEIGHT-- NOTHING MATCHED. IT WAS SOMEONE ELSE. 398 00:21:37,546 --> 00:21:39,673 WE WEREN'T SUPPOSED TO FIND THIS PLACE. 399 00:21:39,673 --> 00:21:41,259 THIS IS WHERE THEY MET AND PLANNED. 400 00:21:41,259 --> 00:21:42,885 I THINK CARROLL WAS-- 401 00:21:42,885 --> 00:21:46,097 CARROLL'S USING POE'S WORK AS A RELIGION. 402 00:21:46,097 --> 00:21:48,849 HE'S SPEAKING TO PEOPLE THROUGH GOTHIC ROMANTICISM. 403 00:21:48,849 --> 00:21:54,021 THERE'S A PATHOLOGY TO TODAY'S INTERNET TECHNO-BRED MINDS. 404 00:21:54,021 --> 00:21:58,151 IT'S CREATED A NEW... VACANCY IN OUR HUMANITY. 405 00:21:58,151 --> 00:22:03,030 FIND THE ONES WITH ADDITIONAL DISORDERS--JACKPOT. 406 00:22:03,030 --> 00:22:06,826 ENTER A HANDSOME, CHARISMATIC MAN 407 00:22:06,826 --> 00:22:09,662 WHO CAN TOUCH THEM, 408 00:22:09,662 --> 00:22:12,999 LET THEM FEEL THEIR LIVES FOR THE FIRST TIME, 409 00:22:12,999 --> 00:22:16,376 CONDITIONS THEM. 410 00:22:16,376 --> 00:22:22,216 THE ONLY WAY TO TRULY LIVE IS TO KILL. 411 00:22:22,216 --> 00:22:23,843 OR SOME CRAP LIKE THAT. 412 00:22:27,138 --> 00:22:29,765 I RUN THE BUREAU'S ALTERNATIVE RELIGION UNIT. 413 00:22:29,765 --> 00:22:32,185 DID I NOT MENTION THAT? 414 00:22:32,185 --> 00:22:34,187 CULTS--MY SPECIALTY. 415 00:22:40,234 --> 00:22:41,568 Jacob: HEY. WE ONLINE? 416 00:22:41,568 --> 00:22:43,321 YEAH. IS IT SECURE? 417 00:22:43,321 --> 00:22:45,281 IT'S A LITTLE SLOW, BUT I GOT US KEYED INTO THE BOARD. 418 00:22:45,281 --> 00:22:46,991 IT'S UNTRACEABLE. 419 00:22:46,991 --> 00:22:48,534 YOU CHECK THE NEWS YET? 420 00:22:48,534 --> 00:22:50,661 YEAH. WE'RE EVERYWHERE, MAN. 421 00:22:50,661 --> 00:22:53,039 THAT'S THE PHOTO THAT THEY PICK OF ME? 422 00:22:53,039 --> 00:22:54,456 I HATE THAT PICTURE. 423 00:22:54,456 --> 00:22:56,667 DID YOU GET IT RUNNING? WHAT'S UP WITH JORDY? 424 00:22:56,667 --> 00:22:58,294 WELL, HE HASN'T E-MAILED YET, 425 00:22:58,294 --> 00:23:00,087 BUT THEY DID FIND 3 GIRLS AT THE SORORITY HOUSE. 426 00:23:00,087 --> 00:23:03,049 SCORE FOR THE VILLAGE IDIOT. 427 00:23:03,049 --> 00:23:04,967 HEY, PAUL. WILL YOU GO WATCH JOEY FOR A FEW MINUTES? 428 00:23:04,967 --> 00:23:06,135 I CAN DO IT. 429 00:23:08,346 --> 00:23:09,972 BE A GOOD WINGMAN, PAUL. 430 00:23:18,898 --> 00:23:20,858 ARE YOU SURE HE'S STRAIGHT? 431 00:23:20,858 --> 00:23:24,111 BECAUSE HE IS ACTING LIKE A JEALOUS LITTLE BITCH. 432 00:23:24,111 --> 00:23:27,405 HE JUST FEELS LIKE THE THIRD WHEEL. 433 00:23:27,405 --> 00:23:29,867 AND FOR A LONG TIME, IT WAS JUST ME AND HIM. 434 00:23:29,867 --> 00:23:30,951 NOW EVERYTHING'S CHANGED. 435 00:23:30,951 --> 00:23:32,661 WELL, HE NEEDS TO ADJUST. 436 00:23:34,955 --> 00:23:36,749 THIS IS WHAT JOE WANTED. 437 00:23:39,335 --> 00:23:42,462 WHAT DO YOU THINK? 438 00:23:42,462 --> 00:23:46,342 MY MOM SAYS THAT IT MAKES ME LOOK LIKE A BOY 439 00:23:46,342 --> 00:23:48,094 OR A GIRL WHO DOESN'T LIKE BOYS. 440 00:23:48,094 --> 00:23:49,427 WELL, YOUR MOTHER DOESN'T UNDERSTAND YOU. 441 00:23:49,427 --> 00:23:52,181 SHE NEVER HAS. 442 00:23:52,181 --> 00:23:55,309 NO. I LIKE IT VERY MUCH, EMMA. 443 00:23:55,309 --> 00:23:56,518 IT'S BEAUTIFUL. 444 00:23:59,021 --> 00:24:02,358 WHAT IF I TOLD YOU THAT I MIGHT KNOW 445 00:24:02,358 --> 00:24:07,029 SOMEONE ELSE WHO MIGHT LIKE IT, TOO? 446 00:24:07,029 --> 00:24:09,407 A GUY? 447 00:24:09,407 --> 00:24:12,201 YOU WANT TO SET ME UP? 448 00:24:12,201 --> 00:24:14,995 I THINK YOU'D LIKE EACH OTHER. 449 00:24:14,995 --> 00:24:16,830 I DON'T KNOW. 450 00:24:20,000 --> 00:24:22,169 I LOVE OUR VISITS. 451 00:24:22,169 --> 00:24:25,714 THEY MEAN THE WORLD TO ME, 452 00:24:25,714 --> 00:24:29,718 BUT I THINK YOU NEED TO MAKE MORE FRIENDS, 453 00:24:29,718 --> 00:24:34,014 YOU KNOW, GO OUT, HAVE SOME FUN, HUH? 454 00:24:38,060 --> 00:24:39,519 HEH HEH HEH. 455 00:24:44,275 --> 00:24:45,734 EMMA? 456 00:24:49,905 --> 00:24:51,115 HI. 457 00:24:54,534 --> 00:24:58,289 JOE SAID YOU'D BE MY TYPE. 458 00:24:58,289 --> 00:24:59,748 WHAT'S YOUR TYPE? 459 00:25:03,043 --> 00:25:04,502 SPECIAL. 460 00:25:19,977 --> 00:25:22,813 Riley: I'VE GOT 8, MAYBE 9 DIFFERENT HANDWRITINGS. 461 00:25:22,813 --> 00:25:24,064 I WANT ANALYSIS ON EACH ONE. 462 00:25:24,064 --> 00:25:25,065 HOW MANY PRINTS? 463 00:25:25,065 --> 00:25:26,775 4. CLEAN. SEVERAL PARTIAL. 464 00:25:26,775 --> 00:25:28,361 OUR MASKED MAN WAS LIVING HERE, TOO. 465 00:25:28,361 --> 00:25:29,903 UNMADE BED, FRESH FOOD. 466 00:25:29,903 --> 00:25:31,238 Weston: THERE'S INTERNET UPSTAIRS. 467 00:25:31,238 --> 00:25:32,572 HE TOOK HIS LAPTOP AND SERVER. 468 00:25:43,083 --> 00:25:45,503 IS IT OK IF I'M HAPPY ABOUT THIS? 469 00:25:45,503 --> 00:25:49,048 I MEAN, I KNOW-- I KNOW DIVORCE IS NOT A HAPPY SUBJECT, 470 00:25:49,048 --> 00:25:51,217 BUT I'M HAPPY. 471 00:25:51,217 --> 00:25:53,177 WELL, IT'S A NEW CHAPTER IN YOUR LIFE. 472 00:25:53,177 --> 00:25:55,804 I MEAN, YOU KNOW, JOE'S BEEN SENTENCED, HE'S GONE. 473 00:25:55,804 --> 00:25:58,724 I THINK YOU DESERVE SOME HAPPY. 474 00:25:58,724 --> 00:26:03,270 ALL RIGHT. WELL, HERE'S TO BEING A SINGLE LADY AGAIN. 475 00:26:03,270 --> 00:26:04,355 OOH. THAT'S DEPRESSING. 476 00:26:04,355 --> 00:26:07,900 HA HA. 477 00:26:07,900 --> 00:26:08,859 KISS ME. 478 00:26:11,529 --> 00:26:12,821 YEAH, YEAH. YOU HEARD ME. 479 00:26:12,821 --> 00:26:14,865 I'M SINGLE, SO JUST... 480 00:26:16,534 --> 00:26:17,868 ARE YOU SURE YOU WANT ME TO KISS YOU? 481 00:26:17,868 --> 00:26:19,286 UH, YEAH. I'M VERY SURE. 482 00:26:19,286 --> 00:26:21,872 I'VE BEEN SURE FOR A LONG TIME. 483 00:26:21,872 --> 00:26:23,999 WELL, IF YOU'RE SURE. 484 00:26:23,999 --> 00:26:25,418 UNLESS--ARE--BUT-- 485 00:26:25,418 --> 00:26:26,793 ARE YOU SURE? BECAUSE IF-- 486 00:26:26,793 --> 00:26:28,421 I DON'T THINK FIRST KISSES ARE 487 00:26:28,421 --> 00:26:29,796 SUPPOSED TO HAVE THIS MUCH DISCUSSION. 488 00:26:29,796 --> 00:26:31,424 I KNOW. IT TAKES THE SPONTANEITY OUT OF IT. 489 00:26:31,424 --> 00:26:32,508 YEAH, IT KIND OF DOES. 490 00:26:32,508 --> 00:26:34,592 DID I JUST RUIN OUR FIRST KISS? 491 00:26:34,592 --> 00:26:36,970 I THINK IT CAN BE SALVAGED. 492 00:27:01,161 --> 00:27:04,039 SO WE GOT AN UPDATE FROM RICK. 493 00:27:04,039 --> 00:27:07,209 FBI FOUND EMMA'S HOUSE. 494 00:27:07,209 --> 00:27:08,961 WHAT DO YOU MEAN THEY FOUND EMMA'S HOUSE? 495 00:27:08,961 --> 00:27:10,170 WAS JORDY THERE? 496 00:27:10,170 --> 00:27:11,464 NO. RICK WAS, BUT HE GOT AWAY. 497 00:27:11,464 --> 00:27:13,132 NOW HE WANTS EMMA TO CALL. 498 00:27:13,132 --> 00:27:15,301 WHY? 499 00:27:15,301 --> 00:27:17,595 BECAUSE SHE'S IN CHARGE, REMEMBER? 500 00:27:17,595 --> 00:27:20,514 I'M NOT TRUSTED WITH THE IMPORTANT THINGS. 501 00:27:20,514 --> 00:27:23,183 THAT'S NOT TRUE, ALL RIGHT? 502 00:27:23,183 --> 00:27:26,353 SHE'S JUST BEEN HERE FOR LONGER, THAT'S ALL. 503 00:27:26,353 --> 00:27:29,482 YOU GUYS NEED TO STOP THIS THING THAT YOU GOT GOING. 504 00:27:29,482 --> 00:27:30,524 IT'S AWKWARD. 505 00:27:30,524 --> 00:27:32,650 AWKWARD FOR WHOM, MAN? 506 00:27:32,650 --> 00:27:35,488 LOOK. I'M FINE. IT'S JUST I DON'T GET 507 00:27:35,488 --> 00:27:37,406 WHAT YOU SEE IN HER. 508 00:27:37,406 --> 00:27:39,241 YOU'RE WAY OUT OF HER LEAGUE, MAN. 509 00:27:42,660 --> 00:27:44,704 I THINK SHE'S AMAZING. 510 00:27:56,383 --> 00:28:00,053 SO TELL ME, JACOB, 511 00:28:00,053 --> 00:28:01,555 WHAT DO YOU DO? 512 00:28:04,183 --> 00:28:08,187 UH, CURRENTLY I AM IN BETWEEN JOBS. 513 00:28:08,187 --> 00:28:11,315 WELL, YOU'RE TO PRETTY TO WORK. 514 00:28:11,315 --> 00:28:13,150 MOM! 515 00:28:13,150 --> 00:28:14,901 I CAN'T BELIEVE YOU TWO ARE DATING. 516 00:28:18,238 --> 00:28:22,660 YOUR DAUGHTER IS THE MOST AMAZING WOMAN I KNOW. 517 00:28:22,660 --> 00:28:24,786 HMM. HMM. 518 00:28:24,786 --> 00:28:26,539 SO YOU LIKE THE NO-FUSS PLAIN JANES. 519 00:28:26,539 --> 00:28:28,207 THAT'S SWEET. 520 00:28:28,207 --> 00:28:29,291 MOST BOYS DON'T. 521 00:28:29,291 --> 00:28:30,750 UNH! 522 00:28:30,750 --> 00:28:37,924 ♪ I WATCHED A CHANGE IN YOU ♪ 523 00:28:37,924 --> 00:28:44,306 ♪ IT'S LIKE YOU NEVER HAD WINGS ♪ 524 00:28:44,306 --> 00:28:45,516 YOU DID IT. 525 00:28:45,516 --> 00:28:51,730 ♪ NOW YOU FEEL SO ALIVE ♪ 526 00:28:51,730 --> 00:28:55,775 ♪ I'VE WATCHED YOU CHANGE ♪ 527 00:28:55,775 --> 00:28:59,029 YOU REALLY DID IT. 528 00:28:59,029 --> 00:29:03,534 ♪ IT'S LIKE YOU NEVER HAD WINGS ♪ 529 00:29:03,534 --> 00:29:12,501 ♪ AHH, AHH, AHH ♪ 530 00:29:12,501 --> 00:29:13,793 ♪ I'M HOME ♪ 531 00:29:29,560 --> 00:29:31,853 WHO ARE ALL THESE WOMEN? 532 00:29:31,853 --> 00:29:35,566 THEY'RE ALL NAMES OF WOMEN IN POE'S LIFE AND WORK THAT DIED. 533 00:30:04,762 --> 00:30:07,598 A FEMALE. SHE'S BEEN DEAD A WHILE. 534 00:30:07,598 --> 00:30:09,683 THE MOTHER? 535 00:30:09,683 --> 00:30:11,184 BURIED IN THE WALL. 536 00:30:11,184 --> 00:30:13,437 "THE BLACK CAT," "THE CASK OF AMONTILLADO," 537 00:30:13,437 --> 00:30:15,147 CLASSIC POE. 538 00:30:25,783 --> 00:30:27,200 CALL THE MATTHEWS RESIDENCE. 539 00:30:27,200 --> 00:30:28,827 MAKE SURE CLAIRE MATTHEWS IS SAFE. 540 00:30:38,796 --> 00:30:40,130 SHE'S SAFE. THE HOUSE IS SECURE. 541 00:30:40,130 --> 00:30:41,840 THERE'S NO SIGN OF ENTRY. 542 00:30:46,428 --> 00:30:47,554 ANYTHING? 543 00:30:47,554 --> 00:30:49,473 DENISE'S REAL NAME IS EMMA HILL. 544 00:30:49,473 --> 00:30:51,433 SHE'S BEEN VISITING JOE IN PRISON. 545 00:30:51,433 --> 00:30:54,520 SHE IS PART OF THIS, BUT, NO, WE DIDN'T FIND HER. 546 00:31:14,414 --> 00:31:16,875 HEY, FELLAS. EYES UP, HUH? 547 00:31:16,875 --> 00:31:21,505 YOU'RE ON WATCH. COFFEE BREAK FOR GOD'S SAKE. 548 00:31:42,317 --> 00:31:44,570 ALL GOOD. 549 00:31:44,570 --> 00:31:45,904 THANKS. 550 00:31:59,501 --> 00:32:01,837 9 DIFFERENT HANDWRITINGS WERE FOUND. 551 00:32:01,837 --> 00:32:03,463 WE MATCHED ALL OUR SUSPECTS, 552 00:32:03,463 --> 00:32:07,760 BUT, UH, 5 REMAIN UNIDENTIFIED. 553 00:32:07,760 --> 00:32:12,013 M.E. HAS CONFIRMED THAT THE DEAD BODY IS EMMA'S MOTHER SHARON COOPER. 554 00:32:12,013 --> 00:32:15,016 STILL NO I.D. ON THE MASKED MAN. 555 00:32:15,016 --> 00:32:17,936 JORDY, A DISORGANIZED KILLER WITH A LOW IQ, 556 00:32:17,936 --> 00:32:20,063 HOW DOES HE JUST DISAPPEAR? 557 00:33:20,916 --> 00:33:22,584 WHAT ARE THOSE? 558 00:33:22,584 --> 00:33:25,003 BLUEPRINTS. 559 00:33:25,003 --> 00:33:29,090 THEY WERE ON THE WALL OF THE NANNY'S HOUSE. 560 00:33:29,090 --> 00:33:32,845 THAT'S THE CLOSET THEY TOOK HER THROUGH. 561 00:33:32,845 --> 00:33:35,013 THAT'S THE GARAGE WHERE THE OFFICER WAS KILLED. 562 00:33:40,268 --> 00:33:43,480 WAIT A MINUTE. THAT'S CLAIRE'S BASEMENT! 563 00:33:49,194 --> 00:33:50,863 Riley: GO, GO, GO! 564 00:33:50,863 --> 00:33:52,489 COVER THE BACK! 565 00:33:55,909 --> 00:33:58,035 DON'T SHOOT! I'M UNARMED. 566 00:33:58,035 --> 00:34:00,789 IT'S YOU. 567 00:34:00,789 --> 00:34:03,583 FINALLY. YOU KNOW, WE'VE BEEN WAITING FOR YOU. 568 00:34:03,583 --> 00:34:06,169 KEEP THEM OUT! KEEP EVERYBODY OUT! 569 00:34:06,169 --> 00:34:07,295 GET BACK! EVERYONE BACK. 570 00:34:07,295 --> 00:34:09,631 GET BACK! 571 00:34:09,631 --> 00:34:11,842 OK, JORDY. 572 00:34:11,842 --> 00:34:14,093 THEY'RE GONE. 573 00:34:14,093 --> 00:34:18,056 JUST US. OK? 574 00:34:18,056 --> 00:34:19,516 CAN I SHUT THE DOOR? 575 00:34:19,516 --> 00:34:21,184 YEAH. THAT'S GOOD. YOU SHUT THE DOOR. 576 00:34:33,154 --> 00:34:34,740 TAKE THE GUN AWAY FROM HER HEAD. 577 00:34:34,740 --> 00:34:36,241 I HAVE TO KILL HER. 578 00:34:36,241 --> 00:34:38,243 NO, YOU DON'T. 579 00:34:38,243 --> 00:34:39,703 AND YOU HAVE TO WATCH. 580 00:34:39,703 --> 00:34:43,164 THOSE ARE THE RULES, OR, UH-- 581 00:34:43,164 --> 00:34:45,208 OR WHAT? 582 00:34:45,208 --> 00:34:48,879 OR YOU HAVE TO KILL ME. 583 00:34:48,879 --> 00:34:50,881 I'M NOT SURE I'M READY TO DIE. 584 00:34:50,881 --> 00:34:52,424 JORDY, NOBODY HAS TO DIE. 585 00:34:52,424 --> 00:34:53,717 JOE DOESN'T WANT HER TO DIE. 586 00:34:53,717 --> 00:34:55,176 YES, HE DOES! 587 00:34:55,176 --> 00:34:57,846 AND HE CHOSE ME TO DO IT, NOT ANYONE ELSE, ME! 588 00:34:57,846 --> 00:35:00,891 THIS IS MY CHAPTER, AND I CAN WRITE IT ANY WAY I WANT TO! 589 00:35:00,891 --> 00:35:03,018 OK. I'LL TELL YOU WHAT. 590 00:35:03,018 --> 00:35:05,645 WHY DON'T WE CALL HIM? 591 00:35:05,645 --> 00:35:09,315 WE CAN CALL HIM. WE CAN ASK HIM. 592 00:35:09,315 --> 00:35:12,945 I HAVE HIS NUMBER. 593 00:35:12,945 --> 00:35:16,322 THERE'S A PHONE RIGHT OVER THERE BY THE BED. 594 00:35:20,159 --> 00:35:23,080 GET AN AMBULANCE! 595 00:35:27,709 --> 00:35:30,462 OK. 596 00:35:30,462 --> 00:35:32,130 THE STORM WINDOWS WERE PADLOCKED. 597 00:35:32,130 --> 00:35:33,799 THE MAN HAD A KEY. 598 00:35:33,799 --> 00:35:34,883 THE NANNY GAVE IT TO HIM. 599 00:35:34,883 --> 00:35:36,217 HE WAS DRESSED AS A COP. 600 00:35:36,217 --> 00:35:37,719 HE HID UNDER ONE OF THE AC UNITS 601 00:35:37,719 --> 00:35:39,304 NOBODY KNEW ABOUT. 602 00:35:39,304 --> 00:35:41,848 EXCEPT THE NANNY, WHO GAVE IT TO HIM. 603 00:35:41,848 --> 00:35:43,058 COME ON. HOW ARE WE SUPPOSED TO KNOW THAT? 604 00:35:43,058 --> 00:35:46,853 IT'S YOUR JOB! 605 00:35:46,853 --> 00:35:49,314 OK. LISTEN UP. IF YOU'RE NOT A FEDERAL AGENT, 606 00:35:49,314 --> 00:35:52,109 I WANT YOU OUT OF THIS HOUSE NOW, YOU UNDERSTAND? 607 00:35:52,109 --> 00:35:53,192 COME ON. LET' GO. 608 00:36:19,928 --> 00:36:22,973 WHAT'S UP? 609 00:36:22,973 --> 00:36:24,808 SHE'S A STRONG WOMAN. 610 00:36:24,808 --> 00:36:26,643 SHE HAS TO BE. 611 00:36:26,643 --> 00:36:27,978 THE PRISON GUARD'S IN SURGERY. 612 00:36:27,978 --> 00:36:29,562 HE'LL BE FINE. 613 00:36:29,562 --> 00:36:30,939 WE'LL QUESTION HIM THE SECOND HE'S CONSCIOUS. 614 00:36:30,939 --> 00:36:33,650 I WANT TO SEE JOE. 615 00:36:33,650 --> 00:36:35,318 SO YOU CAN BREAK HIS OTHER HAND? 616 00:37:03,221 --> 00:37:04,890 DON'T TRUST ME ALONE WITH YOU. 617 00:37:06,933 --> 00:37:09,978 HOW'S THE HAND? 618 00:37:09,978 --> 00:37:12,189 HAVE YOU SLEPT? 619 00:37:12,189 --> 00:37:14,399 YOU LOOK TIRED. 620 00:37:14,399 --> 00:37:17,069 IT'S IMPORTANT YOU TAKE CARE OF YOURSELF, 621 00:37:17,069 --> 00:37:19,071 PRESERVE YOU STRENGTH. 622 00:37:19,071 --> 00:37:20,989 I'VE MADE A FEW REQUESTS, 623 00:37:20,989 --> 00:37:24,117 NOTHING SCANDALOUS, JUST A COUPLE OF BOOKS. 624 00:37:24,117 --> 00:37:25,493 CLAIRE ALMOST DIED TONIGHT. 625 00:37:25,493 --> 00:37:29,164 I LIKE TO READ BEFORE BED. 626 00:37:29,164 --> 00:37:31,416 CALMS THE MIND, HELPS ME SLEEP. 627 00:37:31,416 --> 00:37:33,960 SHE ALMOST DIED, 628 00:37:33,960 --> 00:37:35,461 THE WOMAN YOU PROFESS TO LOVE. 629 00:37:35,461 --> 00:37:37,672 YEAH, BUT SHE DIDN'T. 630 00:37:37,672 --> 00:37:40,383 I WAS HOPING YOU'D SAVE HER. 631 00:37:40,383 --> 00:37:42,094 AN HEROIC VICTORY BY THE LEADING MAN 632 00:37:42,094 --> 00:37:43,887 THAT CEMENTS THE LOVE STORY. 633 00:37:43,887 --> 00:37:45,555 WHAT IF I HADN'T ARRIVED IN TIME? 634 00:37:45,555 --> 00:37:48,975 WELL, THAT'S WHAT MAKES THE STORY SO UNPREDICTABLE. 635 00:37:48,975 --> 00:37:50,393 YOU GOT TO TOUGHEN UP, RYAN. 636 00:37:50,393 --> 00:37:53,188 YOU'RE DEALING WITH DEPRAVED MINDS, 637 00:37:53,188 --> 00:37:55,815 SICK AND TWISTED. 638 00:37:55,815 --> 00:38:00,403 JORDY WAS A MERE PUPPY 639 00:38:00,403 --> 00:38:03,281 COMPARED TO SOME OF THE GAMES I HAVE IN STORE FOR YOU. 640 00:38:11,497 --> 00:38:13,250 WHY YOU DOING THIS, JOE? 641 00:38:13,250 --> 00:38:15,418 THE CHALLENGE, RYAN. 642 00:38:15,418 --> 00:38:17,378 ACCEPT IT. 643 00:38:17,378 --> 00:38:19,965 WE'VE BARELY EVEN STARTED. 644 00:38:19,965 --> 00:38:22,175 I HAVE SO MANY SURPRISES 645 00:38:22,175 --> 00:38:25,053 WAITING FOR YOU. 646 00:38:25,053 --> 00:38:28,431 AND HOW LONG DO YOU THINK YOU CAN KEEP THIS UP BEHIND BARS? 647 00:38:28,431 --> 00:38:30,183 WHAT'S THE END GAME? 648 00:38:30,183 --> 00:38:32,227 THAT'S A QUESTION THE HERO MUST ANSWER. 649 00:38:32,227 --> 00:38:34,437 I'M SORRY, RYAN. YOU REALLY ARE GONNA HAVE TO DO 650 00:38:34,437 --> 00:38:38,524 SOME OF THE WORK YOURSELF. 651 00:38:38,524 --> 00:38:43,362 JORDY WAS THE FIRST STEP IN YOUR RETURN TO FORM. 652 00:38:43,362 --> 00:38:46,574 YOU SAVED THE DAY. HOW DOES IT FEEL 653 00:38:46,574 --> 00:38:50,536 TO BE VICTORIOUS, TO KILL THE VILLAIN? 654 00:38:56,584 --> 00:38:59,754 I DIDN'T KILL HIM. 655 00:38:59,754 --> 00:39:01,006 YEAH. JORDY'S ALIVE AND WELL. 656 00:39:01,006 --> 00:39:05,010 HE'S IN A CELL RIGHT DOWN THE HALL. 657 00:39:05,010 --> 00:39:09,306 THAT WASN'T PART OF THE PLAN, WAS IT? 658 00:39:09,306 --> 00:39:12,558 NO. IT DOESN'T MATTER. 659 00:39:12,558 --> 00:39:15,895 HE KNOWS NOTHING. 660 00:39:15,895 --> 00:39:18,940 MAN'S A HALFWIT. 661 00:39:18,940 --> 00:39:21,359 EXTREMELY SHORT SHELF LIFE, YOU KNOW? 662 00:39:21,359 --> 00:39:24,487 PROBABLY SHOULDN'T TELL HIM THAT WHEN I SPEAK TO HIM. 663 00:39:24,487 --> 00:39:26,281 SLEEP TIGHT. 664 00:39:39,002 --> 00:39:41,420 IT'S GOOD? OK. THANKS. 665 00:39:47,886 --> 00:39:49,554 YOU DON'T HAVE TO STAY HERE, YOU KNOW? 666 00:39:49,554 --> 00:39:51,014 WE COULD TAKE YOU SOMEPLACE ELSE. 667 00:39:51,014 --> 00:39:52,098 WHERE? 668 00:39:55,143 --> 00:39:56,978 YOU SHOULD GET SOME SLEEP. 669 00:39:59,147 --> 00:40:00,523 DON'T GO. 670 00:40:03,735 --> 00:40:08,447 I DON'T TRUST ANYONE BUT YOU. 671 00:40:08,447 --> 00:40:09,949 I'M NOT GOING ANYWHERE. 672 00:40:26,925 --> 00:40:34,432 ♪ YOU ARE MY ANGEL ♪ 673 00:40:41,606 --> 00:40:47,070 ♪ COME FROM WAY ABOVE ♪ 674 00:40:47,070 --> 00:40:48,947 ♪ TO BRING ME ♪ 675 00:40:48,947 --> 00:40:54,452 ♪ TO BRING ME LOVE ♪ 676 00:41:07,424 --> 00:41:15,765 ♪ HER EYES, SHE'S ON THE DARK SIDE ♪ 677 00:41:15,765 --> 00:41:23,064 ♪ NEUTRALIZE EVERYONE IN SIGHT ♪ 678 00:41:30,113 --> 00:41:34,533 ♪ TO LOVE YOU, LOVE YOU, LOVE YOU, LOVE YOU ♪ 679 00:41:34,533 --> 00:41:38,704 ♪ LOVE YOU, LOVE YOU, LOVE YOU LOVE YOU, LOVE YOU, LOVE YOU ♪ 680 00:42:12,447 --> 00:42:15,574 ♪ CAME FROM WAY BELOW ♪ 681 00:42:15,574 --> 00:42:19,871 ♪ CAME FROM WAY BELOW ♪ 682 00:42:19,871 --> 00:42:23,791 ♪ SHE'S ON THE DARK SIDE ♪ 683 00:42:23,791 --> 00:42:27,128 ♪ SHE'S ON THE DARK SIDE ♪ 684 00:42:27,128 --> 00:42:30,589 ♪ COME FROM WAY BELOW ♪ 685 00:42:34,593 --> 00:42:37,263 ♪ COME FROM WAY BELOW ♪ 686 00:42:41,684 --> 00:42:44,687 ♪ COME FROM WAY BELOW ♪ 687 00:42:52,278 --> 00:42:54,280 HEY!